A Lesson Was Learned By All

Song Playing: Take a Bow by Madonna

It appears that editing sends my creativity into overdrive, because I just had three new ideas for stories. Two of these ideas would need a lot of work to become a story, but they are there. The third idea is something closer to what the heart of a book would be in my mind.

It would also appear that most of my ideas come in two distinct forms. On one side of the camp there are the dream ideas. These ideas come from some portion of a dream I had, and are normally just a scene or two. Sometimes I am lucky enough to get some core conflict or characters out of the dream, but the image remains.

The pros of these types of ideas are these images are very intense and can also brew some awesome conflict. For example, my current WIP, my mermaid book, started from a dream. I dreamt about a girl standing on the shoreline of the ocean, silently crying as she watched a burning ship sail out to sea at sunset. I knew that this girl’s father had just drowned in a boating accident—a boat accident she survived—and her father wanted to have a Viking funeral, hence the burning ship.

That’s all there was to the idea. Girl at father’s funeral. But that image is still as fresh to me as the night I had the dream, and the death of her father has formed part of the core conflict in the book.

The con to these types of ideas is I have to work very hard to feel the characters. Since I first saw it as though I was watching a movie, the main characters remain as familiar and yet distant as movie characters do. I have to spend extra time developing the character until I feel like they are a living, breathing person.



The second camp of ideas I receive are usually speculations about “What if…”, and normally crop up while watching a movie or reading a book. Typically, I am frustrated with said movie or book. I feel like they are ignoring obvious internal conflicts, and I wish the story would address it more. Or the movie/book ends with events left unresolved, and I think about the aftermath of the movie/story events. My mind goes wandering, usually while the movie is still playing, “What would make someone get to that point? What if there was this other person, and they did such and such?”

The pros of these types of ideas are that I have the heart of the book, and can feel the character almost immediately. The internal conflict, and sometimes external conflict is right there in my question. For example, last night I was watching a mediocre movie (name withheld to protect the guilty) involving a love triangle. This Nice Guy was totally head over heels for this Girl, but she was already in love with her boyfriend, even though he’s a total Jerk, and broke her heart. The Nice Guy was there for the Girl, helped her mend her heart, but the minute the Jerk comes back into the picture she jumps back into his arms, and leaves Nice Guy in the dust.

Very frustrating to watch, because Nice Guy was obviously a better person for Girl (I know, my estrogen is showing :) ). They actually had a friendship, something she didn’t have with Jerk. So I sat there seething, wondering what would happen if Nice Guy had a Female Friend, and how she would feel about Nice Guy pining for a woman who barely gives him a second glance.

And then I thought, what if the Girl was very popular, the center of her clique’s universe, and everyone wanted to be her or date her? But (now named)Popular Girl was secretly miserable? (at this point, the idea congealed with a conversation I had with one of my massage clients. She’s a school teacher, and we had a discussion about how sometimes the kids turn out differently than people would think. So the cheerleader valedictorian with a scholarship to Yale goes down the path of drugs and petty criminal-druggie picks himself up and becomes successful) So from that line of thinking, I was thinking about the relationship dynamic between Popular Girl and Female Friend, with Nice Guy in between them.

I can’t stand love triangles as plot by themselves, and I would have to spice this thought up to make it not so very high school, but there’s something there, between Female Friend and Popular Girl.

The con to these types of ideas is it can be very hard to capture that essence of conflict within a plot. Especially with this idea I just had. I definitely don’t want to just do a boring love triangle. Those get angsty quick. It can be hard to figure out the exact events that would best show this sort of conflict, and the possibilities can be paralyzing. There’s a lot of vague wandering around conflict and ideas, and thinking “I could…no, no, that’s not quite it.” Like going shoe shopping, and looking for the ultimate pair of shoes: comfy, cute, and not too expansive (I am not sure such a pair actually exists).

I have other ideas that don’t fall into either of these camps, but they are far less prevalent.

You might be wondering at this point why I care, or sound so pleased with myself. This is a fair thought.

The neat thing is now that I have identified this about my ideas, I already know what to look out for. I already know I am going to have to work on the characters of all the ideas I dreamed/thought up a scene for. Most writers can tell you that scenes, no matter how cool, do not a novel make. There’s a lot of other stuff that goes with it too. Like, a plot and stuff.

I already know that all the ideas I had from wondering some form of What if?...will need extra love in the conflict department.

Overall, this makes my life easier, and will prevent future frustration. It might behoove you to keep track of how and where you get your ideas, not just the ideas themselves, and see if you have a pattern.

Or do you already see a pattern? Is there a certain way you get most of your ideas? What are the pros and cons of that way?

Creator/Destroyer

Song Playing: Legal Assassin from Repo! The Genetic Opera Soundtrack

I hope everyone is having a happy Friday. Mine has been fraught with calling relatives about my upcoming nuptials and trying to explain to my mother that voices messages saying “I have some information about the cabin your wedding is being held at” is entirely too vague for my more than active imagination. “What information?” My brain immediately wondered. “Did it explode? Is there a problem with it? Why is she calling me about the cabin?”

The information turned out to be the box number, so my relatives can Mapquest the location from their various cabins.

*headdesk*

In other news, my work load has lightened because I had the brilliant idea of…get this…taking some projects off of it! I know, I should have thought of that earlier. Normally, I have enough time and energy to take care of several different types of things at once. So editing, worldbuilding, reading for pleasure and reading for education, and studying grammar (yes, I study grammar, I have workbooks and everything) is not too much of a struggle for me. I like variety, even when I am focusing on one project (in this case, revision of my book Masquerade).

So I cut back, to allow time for stuff to crop up and so I wouldn’t feel guilty for not getting other stuff done. I am still revising, just with a slightly slower pace. And I am not focusing on creating anything new.

I have plenty of energy for editing and revision, but even if I had the time, I don’t have the burning passion for creation at the moment. I mean, my new ideas still excite me, but not in that new-shiny idea way. I think right now I will focus less on the creative aspect of writing, and more on the “destruction”. Editing and revision. Not that revision and editing are really “destruction”, I just like the image. But I am focusing on the reconstruction phase of writing, breaking down my book into it’s separate pieces, fixing said pieces, and putting it back together again.



I am also reading more. It seems I need to spend more time taking information in, than putting it out. I made a reading list, one for nonfiction and one for fiction. I just finished “Changes” by Jim Butcher, and I am reading “Under the Dome” by Stephen King, and then I have a stack of books waiting to be read, some of which include:
The Judas Strain by James Rollins
The Historian by Elizabeth Kostova
The Fate of Mice by Susan Palwick
Galapagos by Kurt Vonnecut
Invasive Procedures by Orson Scott Card

I intend to finish reading the Sandman series by Neil Gaiman, and Watchmen by Alan More. And I have a Roald Dahl short story anthology I want to peruse through as well (if you didn’t know, he writes awesome short stories for adult, not just stories for kids). This is just the fiction books I have waiting to be read.

I have an equally long list for nonfiction. Right now I am reading “The Artful Edit” by Susan Bell, and it’s amazing. So short and simple, and full of useful information.

The fun thing about being a writer? All that reading isn’t goofing off—it’s research! :D

I have experienced phases like this in my life before, but not one so profound. It would make sense though, with the rate and intensity I have been working on my writing the last year and a half. I have written two full manuscripts, and halfway through two more in that time. I have tried to revise the first book, realized it needed to be almost completely rewritten, and started to revise the second book, Masquerade.

It doesn’t feel like much, because I am still editing Masquerade, but I know that’s a good output. So for now, I will focus on revision, and editing. The technical side of writing. It’s just time for it. And serendipitously enough, it coincides with my moving and marrying plans nicely.

So, am I the only one that notices fluctuations in their creative life? Do you feel like you move through a creator-destroyer-creator phase in your writing life?

Make It Personal

Quote: "You're taking this very personal. Tom, this is business and this man is taking it very, very personal."
~Sonny, from the Godfather

Song Playing: Don't Stop Believin' by Journey

In real life we talk about business versus pleasure. You always here the villain in action movies tell the grungy hero “this was just business” after trying to kill him/his wife/girlfriend/boyfriend/mother etc. Later, with the hero inevitably catches up with him, he grunts “No, this was personal.” And then spits in his face or something.



My point is just like those action movies, make everything in your writing as personal as you can. Obviously not certain aspects of publishing—you’d drive yourself nuts if you took it as a personal insult every time someone rejected a query, and swear bloody revenge if an agent dared to reject a full manuscript.

As with anything, a balance is required. If you treat your writing like a second job, you have better chances of success. If you track your queries, your writing progress, work on your WIPs with a regular schedule, you can expect to have results. You might not published, but logic dictates that you are honing your craft and becoming more savvy, so when you ARE published you can just keep trucking as you have.

But, you’re not just churning out hubcaps or microwaves. You’re making books. And at the risk of stating the obvious, writing a book is a very personal endeavor.

So make the book personal. Not that you should put yourself as the main character, your mom as the MC’s mom, and so on. But write about something that fills you with burning passion, that make you sit up and want to shake the person next to you. It’s not enough to have a good idea, or a great character. I have known writers with those things. They produced a rough draft, but lost all desire to continue on. What they wrote about didn’t move them enough.

I am not saying you have to write DEEP and LITERARY things, but that the subjects, situations, and events matter to you.

I am sure most of you know this already. But I figured a nice reminder once in a while wouldn’t hurt either. Yesterday I was ready to toss my manuscript out the window I was so frustrated with it. But I took a ten minute break, listened to some music, perused the inspiration folder I made for it, and grew excited again, because I had written about something that filled me with a burning passion, that hasn't died even a year and a half later.

That about wraps up this public service announcement. What ways you do you keep yourself inspired?

Motivation

“I think I can, I think I can…”
The Little Engine that Could

Song playing: Halo by Soil

Hello all! I have returned, armed with lists galore!

I also painted my toenails bright, turquoise blue in case you were curious. It’s called “Turned Up Turquoise (neon)”. Part of me wonders whose job it is to name nail polish. I mean, someone has to do it, right?




Anyway, moving merrily along.

Yesterday I talked about not feeling motivated because I felt overwhelmed. I shared a link for Demotivational Posters, because I think they are funny in a snarky sort of way, and remind me to not take myself too seriously. It was NOT intended to demotivate anyone, but to make people laugh. Carry on, writer friends! Let the ink follow like a river of…ink.

Anyway, today I thought I would talk about motivation. So, what do you guys use as your motivation to finish things? What do you do when there are extra projects on your plate? Right now my personal life is crazy, because I am hip deep in wedding preparations (I am engaged, and getting married June 19th. Yay!). On top of that, I am also moving back in with my parents in July, while my new husband goes off to Air Traffic Controller class for six months. Yes, it’s going to sorta be like being an army wife. So I have to prepare for moving my stuff into an even smaller place than I am living now.

So my free time has dwindled, and my regular writing production has slowed, making me feel backed up and behind. Joseph Selby was kind enough to give me a swift kick in the rear, and advice on carrying on, which also made me remember other tricks I used to finish projects mounting up due to time restraints.

But these are not excuses. In fact, I see such complications as blessings in disguise, because goodness knows my life will only get busier. I need to learn how to deal with demands on my time now, while I am still single, and childless, and unpublished.

So here’s some strategies you can use to wave your magic wands over projects to finish them.

This is Joseph Selby’s advice, and let me tell you, this guy is productive. It’s a great suggestion:
"Look at your overwhelming pile of things to do and pick one thing from it that has an achievable goal (so no starting a new WIP, this is something that needs to be finished, not started). Pick it up and push everything else away. It is now dead to you until this thing is finished.

When you're done with that one, repeat this process until your overwhelming list of things to do is no longer overwhelming."

Great advice. I especially love the "it is now dead to you" bit.



Here are some other ways to keep you on task:

*If you are easily distracted: TV, phone, people, whatever is interrupting you—remove it. Unplug the internet (you don’t really need to check your email every ten minutes to see if someone has replied. You only feel like you do), put the ringer for the phone on silent, and in another room altogether. Turn off the TV. How many reruns do you need to see to make your life complete? Crappy reality tv shows?

*Set goals. So cliché, I know. But it works. Make a list, set daily word count goals, make a list of steps you need to prepare for your book (like, research you might need to do, character sheets, etc depending on your level of pre-book planning, or the same for the editing your about to embark on). I am very anal. I have “Make to do list for A Dangerous Mind” on my other, more broad to do lists. I like my lists. They comfort me. *pets her lists* I am told not everyone likes lists though, so if they aren’t your thing, find another way to organize things.

*Remember when I had that How to Write a Novel Series? Remember how I said right when you have an idea that you know you will write into a book you keep a little inspiration diary of some sorts? Where you write down what inspired the book in the first place, maybe some pictures and artwork? Not only does this help you push through writing and editing the book, you can also use this to fall in love with the story again, if interest is your problem. Maybe back off the nit picky of what you are working on with your book, and ask yourself, What about this book excites me so much? Sometimes you might be moving away from that idea and need to move back. Sometimes you just need to fall in love with your book, all over again. *collective sigh* Awwwww…

*Bribery. It hardly ever works for me, but I’ve seen it work like magic for others. Tell yourself you’ll buy or do something you really want to once you reach a certain goal. You can work with small scale bribery by saying you’ll eat some M&Ms after you finish the chapter, or large scale like buying a new computer if you complete some monumental task. The size of the goal should be directly proportional to the size of the bribe. You lose all sense of accomplishment if it’s not.

*Caffeine and chocolate. Enough said.

*My best suggestion, one I know works because things fall apart when I don’t stick to it is to have a REGULAR schedule (case in point yesterday, which was a flow over from having Sunday off, but spending the day making stupid meal plans for the wedding and not writing (guess where I would have rather been? Writing, yes. I am in this for life)).

Don’t tell me you can’t have a regular schedule, because your life is too crazy. People, I am the QUEEN of crazy (somehow, saying that feels more like a defeat than a victory). My official work schedule is 9-3 Mondays, and 3-9 Tuesday, Thursday, Friday, and Saturday but those are more like guidelines, really. If I don’t have any clients passed 7, I can go home early. If I don’t have any clients scheduled before 5, I can go in late. I can be “on call” through this times, and have to get and leave with one phone call if they get someone booked. I live with four other people, all who have their own work schedules, and use the computer two inches away from my desk.

If I can juggle all of that, and still have a semi-regular schedule, then so can you. The idea is to be flexible. If you wind up with more time than you normally do at that hour, take advantage of it and keep writing. If you wind up with less, no sweat, you can make it up later. If you have children/spouses/family members/pet with unpredictable needs and desires, try to work around them. If you have some free time, don’t waste it on TV (unless you need a break of course), work on your writing.

Okay, there you have it. Some suggestions. What keeps you guys motivated?

Demotivation

Having some troubles with motivation lately. I have lots to do with my own writing, but I just don’t feel like doing it. I know, Bad Writer! No chocolate!

It’s not for lack of enthusiasm, it’s because I feel overwhelmed. Oh well!

Thought I would share some funny demotivational posters with you, in interest of not taking myself too seriously. I think these posters are hilarious, and hopefully you will too. I am not sure if I am allowed to post them, so I will err on the side of not getting sued, and just direct you to the site. I particulary like "Determination", "Writer's Block", and "Horror".

101 Reasons to Stop Writing

Also, regular readers, feel free to check out my blogfest scene I posted yesterday and comment. Your thoughts on what worked and what didn’t is welcome.

Bar Scene Blogfest

Tara is hosting a Bar Scene Blogfest, and I had the perfect scene in mind. This is from one of my WIP. It's going to be the book I write after the mermaid book I am currently working on.

Here is Tara's blog:
Bar Scene Blogfest

This is the first page in my WIP, titled "A Dangerous Mind". I also plan to use another scene from this book for my Bad Girl Blogfest, because my MC just makes it so easy for me. ;)


A Dangerous Mind

“Before you embark on a journey of revenge, dig two graves.” Confucius

There is an urban legend that says your body completely replaces itself every seven years. If this is true, that means the skin I have now has never known my mother’s touch or my father’s piggyback rides. There’s no way I can restore the touch of my parents, so I hug Alex as much as I can. He was the only blood relation I have left.

My foster parents aren’t really the hugging sort, but I hug them as often as I can, just in case. It frightens me to think that my patchwork family might die someday, and I’ll grow out of them, like I grew out of my favorite pair of combat boots in high school. I had to peddle ten pounds of weed to be able to afford those boots, and when I grew out of them a year later, I was pissed.

I had returned to my hometown of Seattle a few days ago, like clockwork, for the fall and spring semester of college. Every summer I visited my foster parents, and every fall I returned to the city, to Jim and Caroline, to Alex. Despite my circadian rhythms, I still felt like I was perpetually one pace ahead or behind the rest of the world. Dancing to my own drummer didn’t typically bother me, but there were times I wondered what my life would be like today if my parents weren’t murdered by a serial killer while my brother and I hid in my bedroom upstairs.

I wondered how different my life would be now if I had stopped Alex from going downstairs to investigate the noise; I already knew what was making that awful sound. If I had just tied Alex to the bed or something, things might not have turned out the way they did. But he was six and I was eight; Alex never listened to me.

I stared at the moon, and crushed the unlit cigarette I almost broke down and smoked under my boot.

It started to drizzle. I would have taken it as a direct sign of God pissing on me, but this was Seattle. It was always drizzling.

I shook my head at my own futility. Wondering ‘what if’ never made me feel better. Only fantasies of capturing the man who ruined my life and making him pay eased the pain. If I could find him, and make him suffer like I suffered, maybe my life would cycle back to even again.

I turned around and walked back into Joe’s Old Bar, my current place of employment. I was one of the best bartenders in the entire joint, but you’d never know it by the way the owner, a creep named Sam, treated me. Like I was one of his slave girls. If I didn’t have to work while I was in college, I would have walked out of the joint on a Friday night with a full house.

I grinned to myself. That would show him.

Sadly, my landlord didn’t accept I.O.U.s or cookies in lieu of money for rent, and I wasn’t about to take him up on his offer for “something else”. Gross.

I returned to my noble post at the bar, and started to stack the glasses underneath the bar. Frank, the daytime bartender, never put them back correctly, so the glasses were one hard shove away from getting knocked over, a catastrophe I would surely be blamed for.

“Heeeeey, Jade, you’re back,” A regular named Bill slurred. “Good to see you again, hot stuff.”

I nodded in Bill’s general direction and continued to work. Drunks were so needy.
“How’s about you and me go out on a date?”

I leaned my elbow onto the top of the bar. “How’s about you pay your tab and get lost?” I asked.

Bill muttered disparaging things about me under his breath.

I ignored him, and turned to another regular of mine, Mr. Chen. He was an older Asian man who always ordered a Tom Collins, and spoke broken English. He was in the process of opening his own night club, and I had no qualms with telling him what exactly sort of set up he needed for the bar. It was a match made in bartender heaven.

I’ve tended my fair share of bars, and none of them were designed by a bartender. Some bars were way too long, or the drain in the floor wasn’t angled properly so when you washed the floor some of the dirty water ran back over the clean tile or any other hundred of little details that over time add up into a bar that was a pain in the neck to tend. I knew some bartenders who wouldn’t tend a poorly designed bar, but I couldn’t afford to be picky.

Mr. Chen took a sip of his Tom Collins. “You make the best drinks,” he said in Mandarin. “That’s why I always come here.”

I grinned at him. “I know.” I am sure the fact that I was fluent in Mandarin Chinese didn’t hurt either. I can also speak passable Cantonese. My foster parents are both first generation American citizens, children of Chinese immigrants who still preferred to speak Chinese over English. “How’s the nightclub coming? Did your financing come through?”

“Hey, hot stuff, I need another one,” Bill said, burping. Bill was the sort of guy who worked out every day to make up for his ugly face. He thought he was God’s gift to woman. I thought he was a plague in holey blue jeans.

I looked up and checked the clock. Midnight. I was officially done for the night. “Don’t call me hot stuff,” I said, glaring at Bill. “We’re closed.”
Bill leered at me, and I clenched my jaw. “Come on baby, why you gotta do me like that? Come home with me, I could—“

I walked around the bar, and grabbed Bill’s forearm and twisted it hard. Bill squealed like a pig and tried to break my grip, but I used his body weight against him, and sharpened the angle I held his arm.

“I said no,” I said, resisting the urge to punch him in the face. Even though it was afterhours, I was still not allowed to beat up the customers. Unless it was in self defense. Maybe I could make it self defense…

“Fine, fine,” Bill said, trying to stand up, “I’ll leave you alone.”

I loosened my grip on him, and stepped back. “I wouldn’t date you if you were the last man alive. Your face makes me want to vomit.” I pointed at the shirt I wore. It was blue and had a picture of a cartoon bunny on it. The caption below the bunny read: Hey, you make me throw up a little. “I wear this shirt because of losers like you. Now get lost.”

Bill scowled at me, and took a swing, like I knew he would. I couldn’t insult him and his pride let me get away with it.

Mr. Chen cried out, but I ducked Bill’s swing, and tripped him.

Bill caught his balance on a table, and whirled around, swinging for me again.
I sidestepped him quickly, grabbed Bill’s wrist, and used it to bring him around. Bill jerked away, trying to break my hold. He was physically stronger than me, but I was trained. I knew how to use his momentum against him. If you had a good hold on someone’s wrist you could move them around as you wished. I stepped forward, and flipped Bill onto his back with a loud thud.

Bill groaned and rolled over.

“Are you done?” I asked, nudging him with my foot.

Bill tried to stand but it took him a few tries. He glared at me, but stalked out of the bar.

I sighed. I was itching for a fight, but that could hardly be called a fight. I wasn’t even sweating.

“You are trained in Martial Arts,” Mr. Chen said.

“Yes,” I replied, picking up the chair Bill overturned and set it down. “Wushu. My father is a master, and ran a dojo.”

Mr. Chen regarded me for a minute. I wondered what he was seeing when he looked at me. The whitest girl on the face of the planet? My brown hair? My jade green eyes, which were the source of my nickname? I looked like every normal white girl in America. Hardly anyone knew I had Chinese foster parents. Mr. Chen had commented on how well I spoke Mandarin when I first talked to him, but he didn’t pry. “Would you like to work at my nightclub?”

I blinked. I wasn’t expecting a job offer. I was expecting to be told a nice girl like me shouldn’t know how to beat people up.

“I would pay you well. You’ve been most helpful with the plans. I wanted to ask you, but it’s in a rough area of the International District, in the middle of gang territory. But I see you can handle yourself. You could help protect my club, without people realizing that you can also be a bouncer if needed.”

I looked around Joe’s. Continue to work at a crappy dive or work for Mr. Chen, who wanted me to work at a nightclub, be a silent bouncer, in the International District, and pay me more money? Sold!

“When can I start?”

Writer Interview: Michael Emeritz

Okay Ladies and Gentlemen! It’s time for another writer interview! Yaaaay! Let’s welcome Michael Emeritz to the stage!

*the crowd goes wild*

Before we begin, I would like to remind you all again I am interviewing authors about their day jobs and/or their writing habits. You don’t have to be published to qualify, and you can use a pseudonym for your day job if you want to. So if you would like to participate, just email me at: writer (dot) elizabethpoole (at) gmail (dot) com and let me know.

Today I am interviewing Mr. Emeritz, an up and coming new author who has an amazing sense of humor. I laugh at almost every one of his posts, and they manage to be vastly informative as well. Mr. Emeritz commented that his responses to my interview questions were long, and I say that’s fine in my book! (pay no attention to the behemoth I posted yesterday. I am not biased, I swear) Seriously, I love reading about other author’s habits and preferences. Michael was brave enough to answer my interview questions, so let’s all give him a round of applause…

*audience claps wildly*

You can find him at: http://michaelemeritz.blogspot.com
Let me again apologize for the terrible linkage, I shall have to fire my tech boy.

Let's begin:


1. Why did you decide to become a writer?

I didn't really decide, it just sort of happened. When I was very young my mom would always make me do these English worksheets during the summer, and I couldn't go out or watch cartoons until I finished them. Eventually, as a plot to undermine her scheme, I started finishing entire books of them in one long go so that I could be done with it and move on to fun Summer shenanigans. Still, that laid the foundation for me to have a means to express myself clearly through writing, and I eventually adopted journal writing as a means to sort out the thoughts in my little head. It wasn't long thereafter when I made the distinction between fact and fiction, and the idea of making shit up without getting in trouble for it appealed to me.


2.What is your writing environment like now?

I share a two bedroom apartment with my girlfriend and a roommate. My "office"takes up a good half of the living room which also serves as our dinning room and entertainment area. Because of this I tend to write at night when everyone else is asleep, or early morning before everyone begins their day. My roommate is an amateur game designer who works from home, but he's kind enough to keep his bloops and blips in his own room so I can concentrate while I'm working. My desk is cluttered with sticky-notes,reference material, pens, pencils, dictionaries, writing journals, books,coffee mugs, notepads, and little what-nots to fiddle with while I'm thinking.


3.What is your ideal writing environment like?

An isolated vault similar to the lab Rick Moranis' character uses in Honey I Shrunk the Kids. That would be nice. Sound proofing all around so even the deafening boom of a jet breaking light speed fifty-yards above my property would be merely a soft poom... Like that of a bagel falling on a down pillow, the entire metaphor also encased in an airtight plastic chamber. All along the walls of my vault, bookcases of varying heights; some as high as the ceiling, others to eye level with artsy knick-knacks displayed atop, and still more of many different shapes and sizes.Against one wall, a large drafting table and a shelf next to it filled with note-cards, paper, and other needed supplies. Opposite this table one would find a large desk, computer on top, more shelving, and more supplies. On either wall to the side, yet another desk, a clean wall behind it where a gigantic chalkboard is mounted, magnets holding note-cards scattered all over the surface of the board in rows. In some corner of this vault would be a lounge of sorts, a place to sit back comfortably on a long couch, or in an armchair with my feet up on a coffee table, and a stiff drink within arms reach. The smell of wood, the sound of music. Oh!, it would be beautiful.


4. Do you write with music? Why or why not?
I am distracted by the most minuscule of repetitive ambient sounds, so I like to keep a play-list of music on to drown out any potential outside distractions.I'm very finicky with music though. It takes me a long time to sort through my library to construct a play-list I can work to. I don't usually like anything with vocals, but I do make some exceptions if the singer isn't too distracting.The piano and violin have an incredibly emotional effect on me, so I try to fill my play-lists with music incorporating those instruments. I can write easily without music, but the reason I choose not to is it helps me find a rhythm, it even "inspires" me to think deeper into the subject I'm writing about.


5. How do you find time to write in between the other demands on your time—kids, family, job, etc?

I don't have kids, I'm not very involved with my family, and I work from home...Writing is my passion; the thing I want most out of my life is to be a successful writer, so if ever there is a free moment to spare I'll spend it writing. I've made some hard sacrifices in my life to allow myself the freedom I need to pursue my dream. There was a time when I considered myself to be a reporter on life, and I felt I knew more about some strangers than I did about my own family. I never look back on those times with regret though. Sadness, yes, but never regret. I've made my decisions,and, having come this far, I can see it's a much longer road back home than it is toward the dream. I think I'll keep on walking.


6.What are your comfort books? Those books you can read again and again, that foster and rekindle your desire to write?

Oddly enough, the books that do this for me are style manuals or books about writing.Reading The Elements of Grammar makes me want to brush up on my grammar, The Elements of Style makes me want to construct elegant and well-formed sentences, Your Screenplay Sucks inspires me to be honest with myself and to create a story that follows the books 100 rules. Fiction serves as a strange muse to me.If I'm not completely immersed in the story I'm reading, a work of fiction will make me want to put the book down and go write my own. I guess in that respect bad books compel me to write more than anything else. It's like an--"If they can get away with THIS,then surely I can write something worthy of publication"--sort of attitude.


7.What authors do you find influential?

Tolkien:I don't care for fantasy, but I love how thorough he is in describing every last detail, and his command over the English language is inspiring... Clive Barker: Straight to the point. Very imaginative. Captures emotion well.Brilliantly talented story-teller... Hunter S. Thompson: He lived a life worth telling through fiction. I love the complexity of the subject matter in his books. There is so much subtext in his work that it's worth reading every book again and again... Anne Rice: Her characters are so deep they're nearly four-dimensional... Steve Martin: Yes, he's also an author and a columnist.Very smart even when the content is incredibly silly. His writing flows very naturally. The way he constructs sentences and uses punctuation ensures the humor in his writing is delivered with whimsical rhythm and perfect timing...Poe: I adore his ability to convey emotion. The pace and rhythm of his poems and stories are captivating... H.G. Wells: His imagination is boundless... Mary Shelly: A true master of prose... John August: A screenwriter, but a writer nonetheless. His stories are all so unique and well balanced... Stanley Kubrick: A screenwriter/director. This guy knows how to tell a compelling story that will take you on an emotional roller-coaster... Oh, there's so many. I should really stop now.


8. Do you belong to a critique group? Writing organization? Why or why not?

Stephen King writes, "It is, after all, the dab of grit that seeps into an oyster's shell that makes the pearl, not pearl-making seminars with other oysters." I wholeheartedly agree. I've never been a part of a critique group, and never will. I have a few individuals whose opinions I take into serious consideration, but outside of them I don't put stock into the opinions of others unless they are miles ahead of me in the field. The "why"is where I'm probably going to offend a lot of people, but this is just how I feel. In my opinion, time spent in a critique group is time wasted that could be better spent working through the project yourself. In the end, it is the author who writes the story so why trust anyone else to tell you what's right or wrong with it? A person can say that something doesn't sound right, a better word can be used, a bit of dialogue is weak, but if the author is worth their salt then they should be able to see that for themselves. Now, there is one exception; if the critique group consists of F. Scott Fitzgerald, Virginia Woolf, Charles Dickens, Mark Twain, Anne Rand, Mary Shelly, Tolkien, Thoreau,and the most renowned agents in the industry... Order me a tall, double latte,and I'll be there as soon as I finish printing my manuscript.

I have along-term goal to become a member of the Writers Guild, but that's for accreditation, and to ensure royalty payments and credit aren't overlooked when a film goes into production that is based on one of my screenplays... If I'm ever that lucky!

* * *

Here is a dramatization of how Michael likes to edit. He assures me no manuscripts were hurt in the making of this dramatization:

I marvel at how similar my manuscripts look after I am through editing them. Especially the “REDRUM” and the fire breathing dragon part.
* * *


9.Have you ever been to a writing conference? Why or why not? If so, what was your experience like?

No. For the same reason above.


10.Are you querying? If so, what’s keeping you sane?

Yes. I've sent out four queries in the last two-months, and have been sent a rejection letter from three out of the four. What's keeping me sane is that each rejection stated that the agent wasn't a good match for my book, and that I should try elsewhere. This tells me that they're either very polite, or they actually believe that someone else will pick it up. The genre of my book teeters between transgressive-lit and contemporary fiction, so my choices for agents are slim. I absolutely love writing, so I've already started two other novels and three screenplays to keep me busy while I patiently wait for that magic moment when someone finally requests a partial or full manuscript.


11.What are your favorite kinds of characters to write about?

Flawed, awkward, anti-social, pathetically alienated losers. They have the most potential for change, and it's incredibly fun to put them in situations they would dread. I also like characters with some grit and grime to them. I thoroughly enjoy writing about the kind of characters that most people would never take the time to get to know in real life. I would, and do, so I have a unique perspective in this area. I'll converse with anyone who is at least friendly enough not to try and harm or rob me.


12. What are your favorite kinds of characters to read about?

Same as above, but there is really no limit to the types of characters I will follow in a story. There only a few requirements to keep me interested in a character: flawed--I can't stand perfect characters; human--I have trouble relating to aliens or fantasy creatures; unique--I want to read about a needle in the haystack of people around us; searching--I enjoy characters who seek change.All in all, as long as the character isn't some boring, whiny, self-centered,two-dimensional little peon, then I'll be interested enough to keep reading about them.


13.Are you an outliner or a seat of the pants writer? Why?

Outlines are my friend and worst enemy. I have more elaborate outlines than I have finished books, but thank the stars for that. If I had written half of those stories without creating the outlines first, by the time I would have realized they all sucked, it would have been too late to get my life back. Not to mention that after writing an entire horrible book I may have actually tricked myself into believing it was good just because I'd put so much effort into it. A story is like a piece of music in that it has to have rhythm, and I honestly don't see any other way to achieve that rhythm without a very distinct plan in mind.


14.Would you like to be a bestseller or have a smaller, more manageable following?

I'm happy just writing for my own amusement, but, to be perfectly honest, I want to be a rock-star of modern lit. That's the only way I could ever achieve the sort of dreams I have. I write stories that are meant to change people's lives, move them, make them think in a whole different way. I also write to entertain, but if my story doesn't have a strong theme I scrap it. This attitude extends into my personal goals and aspirations as well. If I'm ever fortunate enough to become ridiculously wealthy from writing, I would ensure my family is taken care of, I would pioneer a creative arts school geared toward educating miscreant kids like me when I was growing up, and I would start an entertainment company to produce freaking amazing shows, movies, and events that will rock this world upside-down. So, yeah, I want to be a bestseller and then some. Why not? Shoot for the stars, but plan to land on solid ground.


15. Do you have a writing "process?" What is it, if so?

I carry a notebook with me everywhere, so whenever I get an idea I jot it down.Eventually an idea will hit me like a brick and I'll know that's the one I need to start writing about. From that point on I'll dedicate any spare moment of thought to elaborating on the ideas that I've already come up with. If a scene comes to mind, a bit of dialogue, or a concise stream of exposition, I find a quiet place and write my brains out until I can't think anymore. Over time I'll start to write the best ideas on note cards, and tack them up on my wall where I think they'll fit in the general time line of the story. I repeat this process for as long as it takes to fill the wall, then I try switching cards around to find the best rhythm. When I can read the wall without questioning whether something is going to work or not, I'll type up an outline based on what I've written on the cards. By then I've decided on the title, and I start thinking of chapter titles as well. Then I create a file for each chapter, setup the formatting, and type the titles into each file. This is where the real fun begins. I write a one-paragraph summary for each chapter, then a page, then two, three, and so on... I only add to the length of a chapter if it absolutely needs more information, otherwise--why drone on for no reason? After each revision, (paragraph, page, etc...) I print what I've written and add it to a binder. I take that binder with me everywhere, and any chance I get I make edits, write in new lines, suggest changes. I'll make a copy of the chapter file with a new version number, and rewrite it with the new edits from the binder. I'll do this for as long as it takes. Somewhere along the way, (usually when I feel that I will jump out of a twenty-story window if I make one more edit), I'll call it finished, leave it alone for a month or so, then go back to edit it again. Wash, rinse, repeat as necessary.


16.What is the single best writing advice you have ever received/come across?

"I asked for a ten-page short story, not a fifty-page novella! I'm not reading this, and you're not getting credit unless you cut it down. Just because you wrote something this long doesn't make it any better." ~College Scriptwriting Professor

Less is more, and never give anyone more than what they ask for. If the industry standard for a screenplay is between 110-120 pages, don't submit a 300page epic. If the standard for a novel is between 50,000 - 110,000 words, don't submit a 6,000 word short story and call it a novel. If a contract calls for a500 word article, don't write a 1,000 word essay; don't even write a 512 word article! More so than being conscious of standards, writing within a set limitation forces you to consider the importance of every single word.


17.Any fears about becoming published?

Nope. I really want it to happen, and being afraid isn't going to help me get any closer to that goal.


18.Where do you get your ideas from? (*grin* sorry guys, I had to include that)

My life experiences and wild imagination. Simple as that. If there's ever a time when I run out of life experiences to draw inspiration from, I'll take a walk outside where I'll always find something interesting. If I still can't think of anything real to base a story off of, I'll make something up. If there ever comes a time when I am unable to make something up, I'll buy a boat and a barrel of whiskey.


19.What is your biggest pet peeve in your genre?
Haha! There aren't enough agents representing it. Aside from Irvine Welsh and Chuck Palahniuk, who have a stranglehold on the genre, how many other trans-lit authors do you know? I think the bigger issue is that trans-lit encompasses an extremely broad range of subject-matter. It's essentially the avant garde of literature, which doesn't classify the story content very well. My books are basically romantic comedies, but because of the characters' life-styles, the settings, and the overall presentation I'm pegged for trans-lit.


20.What is your biggest pet peeve about books in general?

The binding. I hate breaking it, but it drives me nuts trying to read and drink coffee at the same time.


21.What is the biggest writing issue you’ve had to date, and how did you fix it?(writer’s block, crappy first draft, realized the main character sucks, etc)

The most difficult issue I've ever had was writing about a transvestite character in away that the reader would except her, empathize with her, and still find the situation of having her as a love interest funny. This also presented the challenge of conveying love without sex or any other intimate interactions. If this character had sex with the main character then my book would be pegged in the GLBT genre, which I didn't want. The book wasn't about gay relationships, it was about self-acceptance. I made it work by revealing the character as a transvestite in a humorous way, and then explained her perspective on this lifestyle in a very emotional conversation with the main character, and I left it alone after that. I let the character exist as a regular person, and only brought attention to her lifestyle through the concerns of the main character who thinks he's falling in love with her, when in actuality he's just happy to finally have a good friend. Despite my initial concerns while writing it, no one who's read the story has felt there was any other relationship between the two characters other than friendship in the end. Even the most prejudice of readers has accepted the transvestite character, and was not put off by any interactions between her and the main character.


22. Do you like books about writing? If so, which books would you recommend and why?

I do. The Elements of Grammar, The Elements of Style, The Elements of Editing, and Your Screenplay Sucks are some that I mentioned above. Stephen King's On Writing is a great book for any writer. Aristotle's Poetics should be in every aspiring writer's bookshelf. Georges Polti's The 36 Dramatic Situations is a great resource for basic plot foundations. 70 Solutions to Common Writing Mistakes by Bob Mayer is a great general reference for editing, and avoiding, well, common mistakes. Save The Cat by Blake Snyder is a must have for screenwriters, but novelists can learn a lot from this book as well. Blake was one of the most successful screenwriters in Hollywood, and a screenwriter is still a story-teller. There's a lot to learn from any successful writer.


23.And lastly, if you could only read one book for the rest of your life, which would it be?

What a tough question. If I had to pick one it would be Mission Earth by L. Ron Hubbard, only because it's the longest book ever written in the English language, and if I'm going to read one book for the rest of my life I want it to remain interesting for as long as possible. However, if my choices include fictional books, and I wanted to be clever, then I would read The Never-ending Story.